![]() ![]() Gajeel is defeated and falls to the ground leaving the Phantom Lord mages shocked at Natsu’s victory. Finally, Natsu gains the upper hand and hits Gajeel for everything he has done. The fight between Natsu and Gajeel Redfox was intense and action heavy. ![]() This episode marks the end of the Fairy Tail-Phantom Lord war with Fairy Tail emerging as the victorious party. When the princess lives happily ever after, the fairy tale we’re all so addicted to has to end.‘Fairy Law’ was one of the most intense episodes that I saw in the ‘Fairy Tail’ anime series. But even if you didn’t, it was a pretty safe bet that Chrishell’s ultimatum wasn’t going to work out the way she’d hoped. If you kept up with the headlines about Chrishell and Jason during the show’s hiatus, you went into season 5 already knowing the relationship was doomed. “I’ve tried to get the success that I have so that I could pour not just my love, but also resources into making sure it would feel like I’m doing important work.” Now I’m in a situation where I know I could give a child an amazing life,” she tells Jason, forcing him to decide whether they’ll breed or break up. Having checked off home ownership on her to-do list, to the tune of $3.3 million, in season 4, she’s finally ready, in the new episodes, to start a family. That doesn’t just make her fun to hate, although she is it also makes her an ideal fairy-tale villain, salty and sour enough to balance out Chrishell’s saccharine.įor Chrishell, that meant freezing her eggs while she built her career. “I was going for running-for-office, Ivanka Trump kinda vibes.” In other words: she knows precisely what she’s doing and plays her villain role to the hilt. “I love the scammer vibes for me,” Christine enthuses. In one season 5 scene, newcomer Chelsea Lazkani-Christine’s bestie du jour, who refers to herself and Christine as “Black and blonde Barbie”-remarks that Christine’s hairstyle reminds her of Elizabeth Holmes. She’ll wear a bubblegum-pink, Chanel-looking bouclé suit to one professional engagement and a leather dominatrix bodice to the next. Status handbags, bodycon dresses, and logomania are de rigueur on Sunset, but Christine, with her AbFab-meets- Elle-Woods taste, consistently looks like she’s in costume as a cartoon rich lady. Her apparent inability to stop opining about her co-stars to gossip reporters has lost her ally after ally, to the extent that it seems like the Oppenheims are constantly hiring agents just to give her someone new to confide in, then alienate. (It will never stop being funny that these women share half a first name-or that Christine went on to not only marry a man named Christian, but also, er, christen their baby Christian.) A platinum-blonde clotheshorse who’s open about her many cosmetic enhancements, Christine styles herself as a fearless truth-teller among airheaded sycophants. Meanwhile, the O-Group also employs plenty of people who never appear on the show.)Īmid the latter real adversity that the show restrained itself from crassly televising, Chrishell has also faced a contrived nemesis: Christine Quinn. ![]() (Though it rarely comes up on camera, most of the cast members have worked as models or actors. The show opened with her arrival at Jason and his twin brother Brett’s Oppenheim Group, a brokerage that specializes in high-end Hollywood homes, and where everyone who isn’t an Oppenheim is a gorgeous, designer-clad woman who has never worn shoes with less than a 4-inch heel. And that, I’m increasingly certain, is what keeps so many of us watching.Įvery fairy tale needs its heroine, and in Sunset, that role-which surely demands as much acting as any scripted soap-opera part-is played by bright-eyed, bubbly Chrishell. There has been no shortage of real-estate shows, dating shows, or shows about rich, cliquey women in the history of reality television, but this precise combination of elements is unique. Updated for the 21st century with flashes of girlboss feminism and flickers of prosperity gospel, this is a bedtime story populated by beautiful woman striving to secure wealth, power, and love-to, essentially, become the contemporary American equivalent of a princess. As such, it has the spooky ability to short-circuit (mostly but not exclusively female) minds that absorbed Cinderella and Snow White before they could speak in full sentences. Although its genre is docusoap, and every episode provides copious quantities of the backstabbing and smack-talking native to the form, Sunset can just as accurately be described as a reality-TV fairy tale. ![]()
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